Aleph

27,00 

Borges’ stories have a deceptively simple, almost laconic style. In maddeningly ingenious stories that play with the very form of the short story, Borges returns again and again to his themes: dreams, labyrinths, mirrors, infinite libraries, the manipulations of chance, gaucho knife-fighters, transparent tigers and the elusive nature of identity itself.

Summer Crossing

26,00 

Grady – beautiful, rich, flame-haired, defiant – is the sort of girl people stare at across a room. The daughter of an important man, who people want to be introduced to. A girl to whom people sense something is going to happen …

But her privileged society life of parties, debutantes and dresses leaves her wanting more. And excitement comes in the form of the highly unsuitable Clyde, a Brooklyn-born, Jewish parking attendant. When Grady’s parents leave her alone for the first time in their New York penthouse one summer, their secret affair intensifies. As a heat wave envelops the city, Grady gets in deeper and deeper and cares less about the consequences. Soon, though, she will be forced to make decisions – choices that will forever affect her future once the long, sultry summer comes to an end.

Snow Crash

29,00 

The Metaverse is cyberspace home to avatars and software daemons, where anything and just about everything goes. Newly available on the Street – the Metaverse’s main drag – is Snow Crash, a cyberdrug. Trouble is Snow Crash is also a computer virus – and something more. Because once taken it infects the person behind the avatar.

Day of the Triffids

26,00 

When a freak cosmic event renders most of the Earth’s population blind, Bill Masen – one of the lucky few to keep his sight – finds himself trapped in a London jammed with sightless mobs who prey on those who can still see. But another menace stalks blind and sighted alike. With nobody to stop them the Triffids – walking carnivorous plants with lethal stingers – rise up as humanity stumbles and falls . . .

Smith: White Teeth

30,00 

At the centre of this novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them to his Islamic faith.

Road to Wigan Pier

26,00 

A searing account of George Orwell’s observations of working-class life in the bleak industrial heartlands of Yorkshire and Lancashire in the 1930s, The Road to Wigan Pier is a brilliant and bitter polemic that has lost of its political impact over time. His graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment are written with unblinking honesty, fury and great humanity. It crystallized the ideas that would be found in Orwell’s later works and novels, and remains a powerful portrait of poverty, injustice and class divisions in Britain.

Keep the Aspidistra Flying

25,00 

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a ‘good job’ in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.

Enlivened with vivid autobiographical detail, George Orwell’s Keep the Aspidistra Flying is a tragically witty account of the struggle to escape from a materialistic existence, with an introduction by Peter Davison in Penguin Modern Classics.