წიგნების კატალოგი

Castigated for offending against public decency, Madame Bovary has rarely failed to cause a storm. For Flaubert’s contemporaries, the fascination came from the novelist’s meticulous account of provincial manners. For the writer, subject matter was subordinate to his anguished quest for aesthetic perfection. For his twentieth-century successors the formal experiments that underpin Madame Bovary look forward to the innovations of contemporary fiction. Flaubert’s protagonist in particular has never ceased to fascinate. Romantic heroine or middle-class neurotic, flawed wife and mother or passionate protestor against the conventions of bourgeois society, simultaneously the subject of Flaubert’s admiration and the butt of his irony – Emma Bovary remains one of the most enigmatic of fictional creations. Flaubert’s meticulous approach to the craft of fiction, his portrayal of contemporary reality, his representation of an unforgettable cast of characters…’Oh, why, dear God, did I marry him?’ Flaubert’s heroine, Emma, is a bored provincial housewife who abandons her husband to pursue the libertine Rodolphe in a desperate love affair. Flaubert published published MADAME BOVARY in 1857. The book created a sensation when Flaubert was prosecuted for offending public morals and later acquitted.

Rosemary Woodhouse and her struggling actor-husband Guy move into the Bramford, an old New York City apartment building with an onimous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them and, despite Rosemary’s reservations about their eccentricity and the weird noises she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant and the Castavets start taking a special interest in her welfare.

As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavet’s circle is not what it seems.

This is the story of K, his arrival in a village where he is never accepted, and his ensuing relentless struggle with authority in order to gain entrace to the castle that seems to rule it. K’s isolation and confusion, his desperation for the approval of elusive and anonymous powers, epitomises Kafka’s vision of twentieth-century alienation and anxiety.

Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner’s mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War… but Sutpen returns from the conflict to find his estate in ruins and his family collapsing. Secrets from his own past threaten to ruin the lives of his children and destroy everything he has worked for.

Lily has grown up believing she accidentally killed her mother when she was four years old. Now, at fourteen, she yearns for forgiveness and a mother’s love. Living on a peach farm in South Carolina with her harsh and unforgiving father, she has only one friend, Rosaleen, a black servant.

When racial tension explodes one summer afternoon, and Rosaleen is arrested and beaten, Lily chooses to flee with her. Fugitives from justice, the pair follow a trail left by the woman who died ten years before. Finding sanctuary in the home of three beekeeping sisters, Lily starts a journey as much about her understanding of the world as about the mystery surrounding her mother.

Of all Camus’ works, this unfinished book has the most dramatic and extraordinary history – legend has it that the manuscript of THE FIRST MAN was extracted from the car wreck in which he died.

The unfinished manuscript of The First Man was discovered in the wreckage of car accident in which Camus died in 1960. Although it was not published for over thirty years, it was an instant bestseller when it finally appeared in 1994. The ‘first man’ is Jacques Cormery, whose poverty-stricken childhood in Algiers is made bearable by his love for his silent and illiterate mother, and by the teacher who transforms his view of the world. The most autobiographical of Camus’s novels, it gives profound insights into his life and the powerful themes underlying his work.

The death and burial of Addie Bundren is told by members of her family, as they cart the coffin to Jefferson, Mississippi, to bury her among her people. And as the intense desires, fears and rivalries of the family are revealed in the vernacular of the Deep South, Faulkner presents a portrait of extraordinary power – as epic as the Old Testament, as American as Huckleberry Finn.